Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,   Related Paintings of RAFFAELLO Sanzio :. | Portrait of Badashalei | Guidobaldo da Montefeltro | Law | Portrat des Papstes Leo X | Angel |
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BOSSCHAERT, Johannes
Flemish painter (b. ca. 1610, Middelburg, d. ca. 1650, Utrecht) was a member of the Bosschaert family of still life painters. He was the second son of Ambrosius Bosschaert. Little is known about his life, including the date of his death.
Bonnard, Pierre
French, 1867-1947 French painter and printmaker. He studied at the Academie Julian and the École des Beaux-Arts (1888 C 89). In the 1890s he became a leading member of the Nabis group and came under the influence of Art Nouveau and Japanese prints. With his friend Édouard Vuillard, he developed the intimate domestic interior scene, a genre known as Intimism, depicting fashionable Parisian life in the years before World War I. He also produced still lifes, self-portraits, seascapes, and large-scale decorative paintings. In 1910 he discovered the south of France and began a series of luminous landscapes of the Mediterranean region. He was fascinated by perspective, which he employed in paintings such as The Dining Room (1913). From the 1920s he specialized in landscapes, interiors, views of gardens, and bathing nudes. He produced illustrations for the celebrated journal Revue blanche and decorative pages for Paul Verlaine's book of poetry Parallelement (1900).
Jo Davidson
American Sculptor, 1883-1952,was an American sculptor of Russian-Jewish descent. Although he specialized in realistic, intense portrait busts, Davidson did not require his subjects to formally pose for him; rather, he observed and spoke with them. He worked primarily with clay, while the final products were typically cast in terra-cotta, marble and bronze. Born in New York City, Davidson attended Yale University before moving to Paris to study sculpture at Ecole nationale superieure des beaux arts in 1907. After returning to the United States, he was befriended by Gertrude Vanderbilt Whitney, who purchased some of Davidson's work. In 1911 Davidson secured his first solo gallery shows; in 1934 he won the National Academy of Design Maynard Prize, and in 1947 the American Academy of Arts and Letters hosted a retrospective featuring nearly 200 of his works. He was one of 250 sculptors who exhibited in the 3rd Sculpture International held at the Philadelphia Museum of Art in the summer of 1949. Among Davidson commissions are a design for a United States War Industries badge, a collection of pieces for the Government of France to commemorate the first victory of the Troupes de Marine and bronze busts of the leaders of the Allies. His portraits of world leaders and celebrated personalities gained him international acclaim, and included such luminaries as Woodrow Wilson, Franklin Delano Roosevelt, Rudyard Kipling, James Joyce, Gertrude Stein, Andrew Mellon, Will Rogers, John D. Rockefeller, Joseph Conrad, Anatole France, Lincoln Steffens, Gertrude Vanderbilt Whitney, Marshall Ferdinand Foch, General John J. Pershing, John Marin, Rabindranath Tagore, Frank Harris, Israel Zangwill, Charlie Chaplin, Robert M. La Follette, Clarence Darrow, Emile Coue (who was also a sculptor in his spare time), H. G. Wells, Robinson Jeffers, Andre Gide. George Bernard Shaw, James Barrie, Arthur Conan Doyle,D. H. Lawrence, W. Averell Harriman, Madame Chiang Kai shek, Dolores Ibarruri, aka La Passionaria, Helen Keller, Mahatma Gandhi, Dwight D. Eisenhower, Ida Rubinstein, Albert Einstein, Carl Sandburg, Marshall Tito, E. W. Marland and Walt Whitman. Will Rogers statue is a full-body bronze portrait erected at the United States Capitol in 1939. Walt Whitman portrait is also a full-body bronze, and stands in Bear Mountain State Park, New York. Some of Davidson's work is in the National Gallery of Art and in the Capitol Building where he has placed two works, Will Rogers of Oklahoma and Robert M. La Follette of Wisconsin in the National Statuary Hall, and busts of two vice presidents, Henry A. Wallace and Charles G. Dawes, all of which are located in Washington, D.C.. He also designed a statue of Henry D. Thoreau, the author of WALDEN. The statue is located at Walden Pond State Reservation in Concord, MA. In 2006, The Smithsonian Institution's National Portrait Gallery opened a permanent exhibition, Jo Davidson: Biographer in Bronze, showcasing fourteen Davidson works in terracotta and bronze, including portraits of Gertrude Stein and Lincoln Steffens.